ABOUT

Andrea Crespi is an Italian artist working across both physical and digital media, whose work involves the continuous exploration of various forms and themes, including optical illusion, social transformation, and the digital revolution.

Through his art, he embodies contemporary cultural changes. Crespi’s research views art as a tool for perceiving and analyzing truth, often manifesting in intimate and personal portrayals of beauty. Today, Andrea Crespi is considered one of the most influential Italian artists, both nationally and internationally.

His ongoing research, conducted from Milan and Miami, evolves daily, with a particular focus on issues that deeply impact society. He is an artist who truly reflects our time, utilizing media spanning from physical to digital, expressing daily life with careful precision.

He successfully blends the physical and digital realms through a uniquely personal stylistic signature. His works have been exhibited in prestigious museums both in Italy and internationally, including the Triennale Museum in Milan, the CAFA Art Museum in Beijing, Times Square in New York, and Art Space in Dubai.

ARTISTIC RESEARCH

Andrea Crespi’s artistic research centers around the concept of “Neosynthesis,” an approach that seeks to balance past and future, tradition and avant-garde, through a minimalist language. In a world overwhelmed by an excess of images and information, this research aims to distill contemporary complexity into simple forms that engage the viewer both immediately and deeply.

“Neosynthesis” is an aesthetic response to the challenges of the 21st century. It emerges from the tension between innovation and memory, reinterpreting iconic elements of the past to give them new meaning in the present. Each work becomes a dialogue between history and avant-garde, transforming the past through the lens of contemporaneity.

The reduction to the essential is one of the cornerstones of this poetics. In contrast to chaotic accumulation and superficiality, the principle of “less is more” guides every choice: lines, shapes, and colors are carefully selected to convey a clear message, stripped of any superfluous elements. This process of synthesis allows for the creation of works that are immediate in their simplicity, yet capable of offering deeper layers of meaning, inviting reflection from the viewer.

A key aspect of Crespi’s poetics is the use of technology as a creative extension. Artificial intelligence, augmented reality, and digital tools are not merely instruments but means of exploring and representing the many facets of reality. Technology thus becomes an integral part of the artistic process, allowing the works to evolve into dynamic experiences, reflecting the constant shifts of the world around them and expanding the possibilities of interaction between the work and the audience. The works are also distinguished by their universality, achieved through personal expression.

The symbols used are simple but powerful, adaptable to the individual experiences of each viewer. Every creation invites intercultural dialogue, merging the particular with the universal and establishing an emotional connection that resonates differently for each observer, while maintaining a deep conceptual charge that challenges the superficiality of the digital age.

Crespi’s work also addresses the theme of globalization, without sacrificing cultural identities. Elements from different cultures are integrated into a continuous dialogue between local and global, ancient and modern. His poetics not only celebrates cultural roots but transforms them, reinterpreting them with new meanings and technologies. This transformation enriches the works, making them both timely and deeply expressive.

Collaboration with contemporary brands is seen as a form of modern-day patronage. In a world where the art market and society are closely intertwined, the ability to collaborate with brands becomes essential for expanding the reach of artistic research without compromising its integrity. These collaborations foster a dialogue between the artwork and the external world, bringing art beyond the traditional confines of museums and galleries.

The poetics of “Neosynthesis” thus invites reflection on the role of art in the present: an art that, through its simplicity, conveys a depth capable of leaving a lasting impression on collective consciousness. This research methodology is founded on the reduction to the essential, innovation grounded in memory, and the use of technology to expand the expressive language of art. In this way, art becomes a vehicle for universal communication, speaking to both the present and the future.


PERSONAL EXHIBITIONS

2024

"DREAMS SHAPE THE FUTURE", Curated by Sandie Zanini, Priare di Montecchio, Vicenza, Italy

"ETERNAL ICONS: MARILYN MEETS VENUS", Curated by Alisia Viola, Castiglione della pescaia, Grosseto, Italy

"THE GREAT DOVE", CMS Foundation, San Salvador, El Salvador

"6060 ART SHOW", Curated by Grida, NFC Summit, Lisbon, Portugal

"LE TRE GRAZIE", Lanificio Digitale, Napoli, Italy

"ETHEREAL: A digital exploration of intangible beauty", Amex, Milano Design Week, San Babila, Milano, Italy

"REVOLUTION IS WOMAN", Curated by Alisia Viola, Fabbrica del Vapore, Milano, Italy

"DESERT LINES", Art in Space Gallery, Dubai, UAE

"NIKE DI SAMOTRACIA", Valore Italia - Scuola di Restauro di Botticino, Museo Nazionale Scienza e Tecnologia Leonardo Da Vinci, Milano, Italy

2023

"SACRED MONSTERS", Curated by Sandie Zanini, Miami Beach

"ABISSI", Curated by Alisia Viola, Castiglione della Pescaia, Tuscany, Italy

"RESONANCE EXPERIENCE", Museo Maga, Gallarate, Italy

"OVER THE LINES", Curated by Sandie Zanini, Mantova, Italy

2022

"IL RIFLESSO DELLE NINFE SENZA TEMPO", Curated by Alisia Viola, Castiglione della Pescaia, Tuscany, Italy

"ARCHIVI", Archivi Futuri, Museo Maga, Gallarate, Italy

"IMAGINE CAMP", Bibbiena, Arezzo, Italy

"GENESIS 69", Curated by Alisia Viola, Spatial, Metaverso

2021

"GIORGIO STREHLER", Curated by Rossella Farinotti, Cittadella degli Archivi di Milano, Italy

"LOVE IS LOVE", Moaconcept Foundation, Montevarchi, Arezzo, Italy

2020

"SNAKE SKIN", Bvlgari Hotel, Milan, Italy

2019

"EGON SCHIELE", Austrian Airline x Leopold Museum, Vienna, Austria

"ONE MILLION EXPERIENCE", Milano Design Week, Milan, Italy

"NEVER CENSOR OF ART", MICAM, Milan, Italy

2018

"INSTAGRAM RULES", Milano Design Week, Milan, Italy

COLLECTIVE EXHIBITIONS

2024

"ALL ART HAS BEEN CONTEMPORARY", Curated by Virginia Gazzoni, Teatro Franco Parenti, Milan, Italy

"CONTEMPORANEA PRIZE", Curated by Cesare Biasini Selvaggi, Palazzo ducale Orsini-Colonna Tagliacozzo, Aquila, Italy

"FUTURE SCULPTURES", Digital Art Week, London, UK

"L’OPERA D’ARTE NELL’EPOCA DELL’INTELLIGENZA ARTIFICIALE", Curated by Chiara Canali, Rebecca Pedrazzi e Davide Sarchioni, Palazzo Pigorini, Parma, Italy

2023

"KEITH HARING", Makersplace, Miami Beach, USA

"CYBER DREAMS", Curated by Eleonora Brizzi, Villa Ciani & Asilo Ciani, Lugano, Switzerland

"THE TREE OF LIFE", Curated by Simone Sensi, Ultraspazio, Torino, Italy

"STR3AM OF CONSCIUSN3SS", Curated by Reasoned art, Arco Della Pace, Milano, Italy

"MIA FAIR", Immaterika gallery, Milan, Italy

"THE SOUND OF PIXELS", Curated by Art Innovation Gallery, Hong Kong, Cina

"CRYPTO ART: A NEW POSSIBILITY EXHIBITION", Cafa art museum, Beijing, Cina

"BOULEVART", Artinspace, Dubai, UAE

"THE GOLD OF THE EARTH", Curated by Cryptoartitalia, Palazzo Visconti, Milan, Italy

"L’ARTE E’ WOW", Curated by Diva Moriani e Marco Bazzini, Triennale di Milano, Italy

2022

"FLOATING PIXELS", Curated by Art Innovation Gallery, Miami Beach

"DYNAMO ART FACTORY", Christie's, Palazzo Clerici, Milan, Italy

"NFTs ARE DEAD", Galleria Borbonica, Napoli, Italy

"CONTEMPORARY AND DIGITAL ART", Curated by Art Innovation Gallery, Times Square, New York, USA

"DYNAMIC ART MUSEUM", Dart, Shenzhen, China

"AS FAR AS WE CAN SEE", Cohart, Los Angeles, California, USA

"METAFORUM", LAC, Lugano, Swizerland

2021

"LA RINASCITA", Castello di Piovera, Asti, Italy

"DANTE PLUS 700", Biblioteca di Storia Contemporanea “Alfredo Oriani”, Ravenna, Italy